back to Focal International home
  FOCAL Awards

Award for Archive Restoration or Preservation Project

SPONSORED BY

Nominations details

Cited Work

Kinora - The Royal & Ancient Golf Club (early 1900s)

Restoration work commissioned by TWI Sport - The R&A Archive

Facility Company

TMR Post

Archive Specialist

David Atkinson

Duration

25 seconds x 6 = 2.5 minutes

First Shown since Restoration

Open Championship Golf - 15th July 2004

Country of Origin

UK

Project

The project for The R&A was to restore, preserve and animate a collection of unique archive footage of golfing legends Harry Vardon, JH Taylor and James Braid, which dated back to the early 1900s. The only available footage was held on Kinora film drums as the original negatives are thought to have been lost when the Kinora factory burned down in 1914. Despite its deteriorating condition, The R&A was keen to preserve the footage by transferring it to a future-proof medium.  

Reasons for Submission

TMR designed an innovative motion rig to enable the restoration, animation and preservation of some never-seen-before archive footage held on 100-year old Kinora film drums. The motion rig has been used for a major restoration project for The R&A.

The rig is the result of a year’s worth of product development based on a design by TMR’s archive specialist David Atkinson. It holds the Kinora reels securely and ensures that the cracked, curled and faded frames are not damaged any further during the scanning and digitisation process. Making the process more complex is the fact that Kinora footage is made up of flip-card photographs rather than celluloid. This was a major undertaking as this has never before been achieved. TMR’s precision engineer painstakingly crafted the rig from my initial design and pulled together a solution that meant this unique footage could be accurately scanned and digitally restored. The entire development process took almost a year before TMR were able to scan the first frames, confident in the knowledge that the irreplaceable pictures would not be harmed in any way. Using the specially made rig, TMR digitally scanned each frame and saved it at high resolution to ensure the best possible quality. The frames were then burned to a DVD disk as uncompressed data files so that no information was lost. From there the material was imported into the company’s Smoke system for repair, clean up, stabilisation and animation of the 600 or so frames from the first Kinora reel. Once restored, the frames were preserved onto 35mm polyester negative film for long-term archive storage. Video copies in high definition; Digi-beta and DVD formats were also produced for access purposes. TMR’s success in restoring the Harry Vardon footage resulted in The R&A asking the facility to restore and animate five other Kinora reels - including rare footage of the two other members of the famous golfing trio JH Taylor and James Braid. TMR spent over 250 hours preserving this historical footage for The R&A.  
This facility available to FOCAL Members only. Email: info@focalint.org for your unique Password.
JURY COMMENTS

An amazing achievement is TMR’s pioneering work with the Kinora film drums, entailing recreating lost film scenes from Kinora still frames designed for “flip card “ use, and requiring the construction of an entirely original rig to perform the task of stabilisation and copying. The exercise has both delivered film masters for long-term preservation and also allows us to view moving images of these early golfers for the first time. We also thought it an ’honest’ digital restoration, in that it does not attempt to clean up the image to the point where it is too different from the original. As one juror remarked, ‘stabilised, but not falsified’. A remarkable achievement.

Cited Work

The General - USA, 1927
Restoration work commissioned by Lobster Films

Facility Company

Laboratoire Eclair

Duration

74 minutes

First Shown since Restoration

2004

Country of Restoration

France

Project

To digitally restore this classic early film. Johnnie Gray is a Southern railway engineer who has "only two loves in his life'' -- his locomotive (The General) and the beautiful Annabelle Lee. As Civil War is declared in 1861, he is turned down by the Confederacy because the government believes he is more valuable as an engineer. “I don't want you to speak to me again until you are in uniform,” Annabelle declares and leaves him. Soon Union spies steal The General. Annabelle who was a passenger on the stolen train, becomes a prisoner of the Union troops and is rescued by Johnnie.

Reasons for Submission

One of the first silent films to be completely digitally restored. Important for distribution in cinemas.
This facility available to FOCAL Members only. Email: info@focalint.org for your unique Password.
JURY COMMENTS An excellent example in the category of digital presentation is Lobster’s DVD of THE GENERAL. A model piece of making the material seem like new, and very handsomely presented throughout By comparison, the other “restored” featuresappeared to be very patchy and in most cases too far removed from the original materials to be adequately judged.

Cited Work

Lucky Star - UK, 1929
Restoration work commissioned by British Film Institute

Facility Company

Ascent Media

Duration

100 minutes

First Shown since Restoration

2004

Country of Origin

UK

Project

Mary (Janet Gaynor), a poor farm girl, meets Tim (Charles Farrell) just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his legs. Home again, Tim is visited by Mary, and they are powerfully attracted to each other; but his physical handicap prevents him from declaring his love for her. Deeper complications set in when Martin (Guinn Williams), Tim's former sergeant and a bully, takes a shine to Mary.

Reasons for Submission

Ascent Media were commissioned by the BFI to carry out full High Definition digital restoration of this 1929 silent classic movie to make it available to a whole new audience in the 21st Century.
This facility available to FOCAL Members only. Email: info@focalint.org for your unique Password.
JURY COMMENTS

Difficult to judge from the rather poor VHS submitted, but the ‘after’ images do seem to provide a sympathetic digital improvement on the original. Note that the film itself was long considered lost before it was found in the Nederland Filmmuseum’s collection.

Back to Nominations page