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FOCAL
Awards |
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Submission details
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Award for Best Use of Footage in a History Factual Production - SUBMISSIONS |
Restoration Dept |
Cited Work |
1945 The Year That Changed the World |
| Episode |
Eps 2 The End of the Dictators |
Production Company |
Fulcrum Wingspan Ltd |
Producer |
Tracey Gardiner |
| Director |
Paul Oremland, Gabi Kent |
Archive Researcher (s) |
Rachel Seaford |
| Top Sources of Footage |
ITN Archive (British Pathe) |
Duration |
45' x 5 episodes |
First Shown |
04/04/05 UK TV History |
Country of Origin |
UK |
Synopsis |
1945 was a tumultuous year. It saw fierce fighting, peace and the beginnings of a new world order. The Allies were determined to inflict total defeat on their enemies, at any cost. But following Victory the big three Britain, American and the Soviet Union fought each other for supremacy. The shape of the world we live in today is the legacy of events of 1945.
|
Reasons for Submission |
The series was the best performing programme in its slot in the year.The programme was widely previewed and reviewed. “Superb documentary series” (The Times); “…powerful first hand stories, talking head commentaries and superb news footage” (Daily Telegraph); “Don’t miss the start of a fine new series” (Daily Mail)”; “as powerful as it is exhaustive” (Sunday Times). Andy Whitman, the UKTV commissioning editor, said in Broadcast that it was the commission of which he was most proud: “Low budget story-telling at its absolute best”. |
Cited Work |
55 Days: Escape from Saigon |
| Episode |
|
Production Company |
Flashback Television Ltd |
Producer |
Rachel Bell |
| Director |
Ricardo Pollack |
Archive Researcher (s) |
Tim Jordan |
| Top Sources of Footage |
ITN Archive, BBC Motion Gallery, British Movietonews, Getty Images |
Duration |
88' |
First Shown |
06/05/05 BBC2 |
Country of Origin |
UK |
Synopsis |
This 90’ documentary traces the fortunes of five individuals during the events surrounding the US exit from Saigon in April 1975. The film combines personal testimony and dramatic re-enactment with a highly imaginative selection of archive film. For twenty years, the US guaranteed South Vietnam’s existence but as the communists advanced, many feared the US would cut and run. Those Vietnamese who had supported the Americans had most to fear. The US had promised to take care of them but exit strategies are notoriously unreliable. This film tells the story of the 55 days leading to the Fall of Saigon. |
Reasons for Submission |
The success of this powerful documentary was crucially dependant on the use of archive. The archive researcher, director and editor struck a balance between the most iconic images and less familiar archive. A wide range of source material was integrated with specially shot material in a subtle and creative way. Some contemporary images were so powerful (eg. the flight from Danang) they were allowed to speak for themselves. Elsewhere (eg. scene at the US Embassy gates) archive and re-enactment were combined to build drama in a way that was evocative but always true to the story and the source material. |
Cited Work |
A century of socialism / Le siècle des socialistes |
| Episode |
|
Production Company |
Cinétévé |
Producer |
Fabienne Servan-Schreiber, Philippe Barbenès |
| Director |
Yves Jeuland |
Archive Researcher (s) |
Valérie Combard |
| Top Sources of Footage |
Gaumont Pathé Archives, Paris Socialiste Archives, INA |
Duration |
109' |
First Shown |
30/04/05 France 3 |
Country of Origin |
France |
Synopsis |
April 2005, the Socialist Party (PS), a major player in the French democratic system, celebrates its centenary. From Jean Jaurès to François Mitterrand, from the social struggles of the 20s and 30s to the conquest of the presidency in the 80s, this documentary offers us to review a large and colourful part of French contemporary history. |
Reasons for Submission |
Mixing high quality archives meticulously selected by Valérie Combard from film libraries and personal collections, this documentary is an anthology of pictures and footage about socialism in France. An important programme which played to a large audience when aired on France 3. |
Cited Work |
A Very British Olympics |
| Episode |
|
Production Company |
BBC |
Producer |
Dominic Sutherland |
| Director |
Dominic Sutherland |
Archive Researcher (s) |
Angela Spindler-Brown |
| Top Sources of Footage |
BBC Motion Gallery, Footage Farm, British Movietonews, Huntley Film Archives, OTAB |
Duration |
60' |
First Shown |
18/10/05 BBC4 |
Country of Origin |
UK |
Synopsis |
A documentary that tells the story of the last London Olympics in 1948. The world was a very different place then as it was recovering from the years of the WWII. London was under pressure but it did cope and staged glorious games. The British spirit and the sense of humour did help. The documentary and the archive footage manage to re-create the atmosphere and spirit of that time. |
Reasons for Submission |
The documentary is using archive material, mostly in colour, not see on our TV screens before. Although many productions make such claims, A Very British Olympics has footage which hasn't been seen on TV screens before. Thus the claim to fame: discovered colour footage used not for its own purposes but in the service of the story of London 1948 Olympics. |
Cited Work |
Auschwitz, the Nazis & the 'Final Solution' |
| Episode |
Eps 3 |
Production Company |
BBC, History Unit |
Producer |
Laurence Rees |
| Director |
Dominic Sutherland and Detlef Siebert
|
Archive Researcher (s) |
Declan Smith |
| Top Sources of Footage |
Bundesarchiv, Imperial War Museum, Private Colletions in Germany, Yad Vashem, Fox Movietone News |
Duration |
50' x 6 episodes |
First Shown |
11/01/05 BBC2 |
Country of Origin |
UK |
Synopsis |
It was the site of the largest mass murder the world has ever seen yet few people know its full history. On the occasion of the 60th anniversary of the liberation of Auschwitz, this landmark series charts the evolution of the camp and the mentality of the perpetrators, and shows how the place related to the Nazis overall campaign of extermination. With the help of computer graphics based on plans of the camp unearthed only in the 1990s, drama reconstructions of the key moments of decision and interviews with people who were there including former members of the SS. This series builds into the most complete history of Auschwitz ever made for television. |
Reasons for Submission |
In 'Auschwitz…' the archive was central to illustrating a complex and sensitve subject matter. The material was not only well sourced, but sensibly used, well summed up by James Walton in the Daily Telegraph of 12/1/05: 'Rees also uses archive film more precisely than some key series from television's golden age. If what we're seeing doesn't match exactly what we're hearing, he tells us so - something the 'World at War', for example, didn't always do.' |
Cited Work |
Battle for Warsaw |
| Episode |
|
Production Company |
October Films |
Producer |
Wanda Koscia |
| Director |
Wanda Koscia |
Archive Researcher (s) |
James Barker |
| Top Sources of Footage |
Polish Underground Movement Study Trust, London; Sikorski Institute, London; Czolowka, Warsaw; IWM / Transit; La Camera Stylo, Germany |
Duration |
49' |
First Shown |
01/08/05 Discovery Europe |
Country of Origin |
UK |
Synopsis |
The Warsaw Uprising was one of the greatest and bloodiest urban battles of the Second World War. The Polish resistance Home Army fighters, many in their teens, fought to liberate their capital after five years of Nazi occupation from the retreating Germans. It was planned to last days, just until the arrival of the Red Army, now fast approaching the city. But the Germans stopped their retreat and Soviet help did not come. The cost was 80% of the city destroyed and a quarter of a million Poles dead. |
Reasons for Submission |
The majority of the footage used is original Polish underground resistance Home Army footage shot by teams of Polish film-makers at the time to document the uprising. A fraction of the footage shot survived; some was smuggled abroad, some dug out of the ruins of the destroyed city after the war. Also used is rare amateur footage filmed by partisans and German troops. This unique documentation has been rarely seen. |
Cited Work |
Berlin - A Square, a Murder and a Famous Communist |
| Episode |
|
Production Company |
Britzka Film |
Producer |
Britta Wauer |
| Director |
Britta Wauer |
Archive Researcher (s) |
Britta Wauer, Jana Westmann |
| Top Sources of Footage |
Progress Film-Verleih, Berlin; U.S. Holocaust Memorial Museum, Washington D.C.; Bundesarchiv, Koblenz; NARA, College Park, MD; Transit Film, Munic |
Duration |
52' |
First Shown |
12/10/05 Arte |
Country of Origin |
Germany |
Synopsis |
A square in the heart of Berlin: Once gangsters, Communists, Nazis, prostitutes and Jews shared the same pavement. With a wealth of historical footage, comics and amazing protagonists the film unravels the area's big and small secrets and uncovers the destinies of those who lived there over the last century. |
Reasons for Submission |
The film contains footage from over 30 different sources worldwide. Photos from private collections in combination with live reports from the public radio; animated drawings put together with moving images from the early 1930ies - this is a remarkable example for a fascinating documentary with a very modern looking - and of course the film tells a great story. Very exciting! |
Cited Work |
Bomber Boys: The Fighting Lancaster |
| Episode |
Eps 2 |
Production Company |
Frantic Films |
Producer |
Lynne Skromeda |
| Director |
Don Young |
Archive Researcher (s) |
Elizabeth Klinck |
| Top Sources of Footage |
National Film Board of Canada; Department of National Defense (Canada); Imperial War Museum; NARA; Footage Farm |
Duration |
45' x 4 episodes |
First Shown |
07/11/05 History TV |
Country of Origin |
Canada |
Synopsis |
Using a unique blend of living history elements, first-person interviews, CGI and never-before-seen footage from WWII, this dramatic four-part documentary series follows descendents of WWII veterans as they undergo training to become a Lancaster aircrew. While these new recruits struggle with 1940s discipline, we hear the harrowing anecdotes of the veterans who flew into the night skies over Occupied Europe to fight in some of the most critical battles of the war. As the two groups come together, a bridge is built between the generations, giving new understanding to the experiences of those who fought in the Second World War. |
Reasons for Submission |
The history of the Commonwealth Air Training Progam had previously not been told from the perspective of the Canadians. Bomber Boys is a unique blend of traditional documentary story telling - archival material and interviews with the Lucky H Lancaster Bomber crew and "living history" re-creations with descendents of the Lucky H. Elizabeth Klinck was involved in both avenues of research - archival and editorial. |
Cited Work |
Breaking Point / Point de rupture |
| Episode |
Eps 1 |
Production Company |
Radio-Canada/CBC |
Producer |
Hubert Gendron |
| Director |
Jackie Dubé-Corkery |
Archive Researcher (s) |
Mia Webster, Louis L'heureux |
| Top Sources of Footage |
Radio-Canada/CBC, Cinéfilms, Chambre des Communes, CNN, ONF/NFB |
Duration |
90' x 2 episodes |
First Shown |
07/09/05 Radio-Canada/CBC |
Country of Origin |
Canada |
Synopsis |
Octobre 1995, Canada is in a state of shock. Just seven days before the referendum vote, the country is on the verge of breaking apart. For the first time, the YES camp is leading in the polls. No more than a month before, this seemed unthinkable. Those who were there will never forget this week, when Canada reached its Breaking Point. |
Reasons for Submission |
Painstakingly researched, involving thousands of Access to Information requests and 400 hours of interviews, features Jean Chrétien, Jacques Parizeau, Daniel Johnson, Jean Charest, Preston Manning, Deborah Grey and Brian Tobin, among others, providing their candid and "insider" views of this pivotal moment in Canada's federation. But the real stars of Breaking Point are the ordinary Canadians that share their emotions and insights about a national crisis that affected them personally and politically. |
Cited Work |
Canada's War In Colour |
| Episode |
Eps 1 Rumours of War |
Production Company |
Yap Films |
Producer |
Karen Shopsowitz (Supervising), Nataline Rodrigues; Executives - Pauline Duffy, Elliott Halpern |
| Director |
Karen Shopsowitz |
Archive Researcher (s) |
Donna Dudinsky, Rebecca Ruddle |
| Top Sources of Footage |
NFBC, Archives of Ontario, University of Toronto, Archives of the Anglican Provincial Synod of British Columbia, Archives of Manitoba |
Duration |
45' x 3 episodes |
First Shown |
11/01/05 CBC |
Country of Origin |
Canada |
Synopsis |
Canada's War in Colour is a three-part documentary series telling the compelling story of Canadians, at war and at home, through letters and diaries and the exclusive use of original colour movie footage. |
Reasons for Submission |
This is an important historical series because the use of original colour movie footage gives Canadians a unique and personal glimpse of how the war had an effect on their country. |
Cited Work |
Charles de Gaulle, a French destiny / Charles de Gaulle, un destin français |
| Episode |
|
Production Company |
Gaumont Pathé Archives |
Producer |
Manuela Padoan |
| Director |
Gilles Delannoy |
Archive Researcher (s) |
Christian Lamet, Nathalie Sitko |
| Top Sources of Footage |
Gaumont Pathé Archives |
Duration |
80' |
First Shown |
April 2005, DVD release by EMI Music |
Country of Origin |
France |
Synopsis |
The ultimate documentary about Général de Gaulle, elected "Frenchman of the Century" in March 2005. This programme tells us in details the story of a man whose destiny is inextricably linked with that of Fance. |
Reasons for Submission |
This programme made out of black/white and coulour archive footage was produced exclusively for the DVD market. DVD bonuses include the most important speeches of the general and the president as well as lots of testimonies of contemporary witnesses. |
Cited Work |
Chronicle of Red Tuscany (1982-2004) / Il fare politica |
| Episode |
|
Production Company |
RTBF Belgian TV |
Producer |
|
| Director |
Hugues Le Paige |
Archive Researcher (s) |
|
| Top Sources of Footage |
RTBF Belgian TV |
Duration |
86' |
First Shown |
8/10/05 RTBF- Channel LA DEUX |
Country of Origin |
Belgium |
Synopsis |
Fabiana, Carlo, Claudio and Vincenzo … I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The film takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues... |
Reasons for Submission |
Because the archives here are not only used to illustrate the subject matter of the film, they are the basis of the film itself, allowing the confrontation of two epochs. |
Cited Work |
Churchill: The Forgotten Years |
| Episode |
|
Production Company |
Blakeway Productions |
Producer |
Russell Barnes |
| Director |
|
Archive Researcher (s) |
Rosalind Bentley |
| Top Sources of Footage |
BBC Motion Gallery, ITN Archive/British Pathe, BFI, Footage Farm, British Movietonews |
Duration |
90' |
First Shown |
16/02/05 BBC4 |
Country of Origin |
UK |
Synopsis |
Churchill The Forgotten Years tells the story of the life of Winston Churchill from the end of World War 2 until his death in 1965. Presented by Professor David Reynolds of Cambridge University, it paints a moving picture of a man desperate to ensure his place in history, and reluctant to leave the world stage. The film shows how Churchill's family life suffered as the great old man strove to stay on as Prime Minister, and how he fought off his colleagues who wanted to take his job. It also relates how Churchill made certain that his view of the Second World War would become widely accepted, as he wrote a definitive history of the conflict. The programme ends with a moving account of his death. |
Reasons for Submission |
Rosalind Bentley left no stone unturned in her meticulously thorough and inspired research of the film and stills archives of the world. As a result the film is studded with archive jewels, from previously unseen colour footage, to first showings of recently acquired regional archives' material. Highlights included never before seen Churchill in Florida (colour), Sir John Colville's (Churchill's private secretary)amateur footage, and colour footage of Churchill at his consituency fete. Rosalind also teased out material from foreign sources, such as Cinematique Suisse and Monaco's Societe des Bains de Mer. A further triumph was the Pathe rushes listed as election interview but in fact marvellous out-takes from Churchill's 1950 party political broadcast. Rosalind also trawled through every can at the BBC archive, leading to finds such as Churchill in his friends' garden in the South of France, and his daughter, Sarah Churchill, visiting France. Rarely has one film produced so many archival treasures. Reviews and previews of the programme commented on the rich archive in
Churchill's Forgotten Years. The BBC was delighted with the film and
commissioned 'The Improbable Mr Attlee' on the basis of its success, confirming Rosalind as one of
Britain's leading film archivists. |
Cited Work |
Churchills Bodyguard |
| Episode |
Episode 1: Walter Meets Winston |
Production Company |
Nugus/Martin Productions Ltd |
Producer |
Philip Nugus |
| Director |
Philip Nugus, Jonathan Martin |
Archive Researcher (s) |
George Marshall, Gill Shepherd |
| Top Sources of Footage |
BBC Motion Gallery, Imperial War Museum, ITN Archive/Reuters/Visnews |
Duration |
45' x 13 episodes |
First Shown |
21/11/05 UKTV History |
Country of Origin |
UK |
Synopsis |
The unpublished memoirs of Walter Thompson who was Winston Churchill's Bodyguard for eighteen years saving him from previously unseen assassination attempts and brushes with death. The memoirs were found recently in the loft of a Somerset farmhouse. Together they travelled thousands of miles on precarious journeys to meet Stalin Roosevelt and other world leaders. Together they rode with Lawrence of Arabia, dodged German assassins, were nearly shot down by enemy aircraft, lone gunmen, U-boats and IRA hitmen. This is a story of the political upheavals of the 20th century, Churchill's constant brushes with death and the role played by an ex post office messenger in preventing an early end to his life. |
Reasons for Submission |
This discovery is an important national document for the entire country young or old. It chronicles the story of a poor Brixton boy who left school at 14 and through his bravery and determination became bodyguard to two British Prime Ministers. He uses his own words to describe what it was like to keep the "Bulldog" safe. Despite many near misses he keeps his wits about him as many people, especially Hitler want Churchill dead. Churchill's humanity, vulnerability and humour are given unprecedented exposure and the nation will feel enriched by the viewing experience which maximises a wealth of rare archive film. |
Cited Work |
Cold War Dirty Science |
| Episode |
|
Production Company |
Windfall Films Ltd |
Producer |
Saskia Baron |
| Director |
Saskia Baron |
Archive Researcher (s) |
Saskia Baron, Helen Grinstead |
| Top Sources of Footage |
BBC Motion Gallery, Imperial War Museum, ITN Archive/British Pathe, Footage Farm |
Duration |
59' |
First Shown |
19/10/05 five |
Country of Origin |
UK |
Synopsis |
It should have been a time of celebrations as peace was declared in 1945. Instead, the British military machine geared up for another war, one that would be fought with a new arsenal of deadly chemical and biological weapons. What was the thinking behind Britain’s post-war weapons of mass destruction policy? Denis Healey, Tam Dalyell, and the human guinea pigs who found themselves unknowingly subjected to plague germs and nerve gas look back on a dark chapter in our history. In the dying days of World War II, undercover Allied agents engaged in a desperate race against one another to capture the best and brightest of Germany’s scientific community. With Hitler’s army in retreat, British American, and Russian forces set their sights on the architects of the Nazis’ advanced “vengeance” weapons – high-tech aeroplanes, sophisticated rockets and even, perhaps, a German atomic bomb. The Hunt for Hitler’s Scientists tells the story of this crucial pursuit through real-life accounts of daring raids, rare archival footage, vivid eyewitness testimony and visits to the Nazis’ technological hideaways. |
Reasons for Submission |
The Hunt for Hitler’s Scientists uses archive in an interesting and innovative way. |
Cited Work |
Days that Shook the World |
| Episode |
Battle of Midway |
Production Company |
Lion Television |
Producer |
Stuart Elliot |
| Director |
Stuart Elliot |
Archive Researcher (s) |
Steve Bergson |
| Top Sources of Footage |
Footage Farm, BBC Motion Gallery, NARA |
Duration |
60' x 8 episodes |
First Shown |
01/12/05 BBC4 |
Country of Origin |
UK |
Synopsis |
In the space of just four minutes, at a tiny Atoll in the Pacific Ocean called Midway, the entire course of World War Two was transformed. On 4th June 1942 – just six months after Pearl Harbour – the massed forces of the US and Japanese fleets met for a decisive showdown. Thanks to both side’s use of a relatively new piece of technology – the aircraft carrier – this battle would be decided without the ships of either fleet ever coming within sight of each other. At Midway, America’s carrier pilots destroyed Japan’s best ships and killed nearly four thousand men - the cream of Japan’s naval elite. It was a blow the Japanese would never recover from, making the outcome of the conflict in the Pacific virtually inevitable and releasing precious American military resources for the conflict in Europe. |
Reasons for Submission |
Days that Shook the World is a gripping anatomy of some of the most important days in history, hour by hour as they unfolded. |
Cited Work |
Days that Shook the World |
| Episode |
Road to Revolution |
Production Company |
Lion Television Scotland |
Producer |
Sarah Barclay |
| Director |
Sarah Barclay |
Archive Researcher (s) |
Cara Warwick, Steve Bergson |
| Top Sources of Footage |
Footage Farm, Mohammed Sadradeh, Romania Film, Film Produktion, Berlin |
Duration |
30' x 10 episodes |
First Shown |
8/12/05 BBC4 |
Country of Origin |
UK |
Synopsis |
It is Christmas Day 1989. In Bucharest, Romania, a firing squad takes aim. Nicolae Ceaucescu, dictator of the Romanian people, falls dead alongside his wife Elena. Within hours, pictures of the bullet-riddled bodies are flashed around the world, as the last of the Eastern European states declares its independence of Communist rule and foreshadows the death of the Soviet dream. |
Reasons for Submission |
Days that Shook the World is a gripping anatomy of some of the most important days in history, hour by hour as they unfolded. Series Two was nominated for a BAFTA Scotland Award. |
Cited Work |
Dr. Goebbels speaks |
| Episode |
|
Production Company |
Spiegel TV |
Producer |
Michael Kloft |
| Director |
Lutz Hachmeister |
Archive Researcher (s) |
Michael Kloft |
| Top Sources of Footage |
Bundesarchiv-Filmarchiv, Spiegel TV, British Movietone, Kaleidoscope, Istituto Luce |
Duration |
98' |
First Shown |
08/05/05 BBC4 |
Country of Origin |
Germany |
Synopsis |
Life of Hitler's notorious minister of propaganda Joseph Goebbels according to his extensive diaries. Kenneth Branagh reads excerpts, illustrated with archive footage. |
Reasons for Submission |
|
Cited Work |
Frontier of Dreams |
| Episode |
Eps 10 Hope and Heroes |
Production Company |
Whakapapa Productions |
Producer |
Ray Waru, Vincent Burke |
| Director |
Michael Bennett |
Archive Researcher (s) |
David Filer |
| Top Sources of Footage |
TVNZ Archive, New Zealand Film Archive, Archives New Zealand, Imperial War Museum, Film World |
Duration |
50' x 10 |
First Shown |
26/11/05 TV One (NZ) |
Country of Origin |
New Zealand |
Synopsis |
Frontier of Dreams is a television history of New Zealand in 13 episodes. Episode 10 covers 1935 to 1949 - the rule of the first Labour Government and the development of the ‘Welfare State’, followed by New Zealand’s involvement in the Second World War. Part 1: Labour Party wins the 1935 election; impact on Maori; radical social reforms Part 2: Economic recovery; role of radio; Centennial Exhibition; death of the Prime Minister Part 3: War declared; Maori response; sailors and airmen in action; catastrophes for the army in Greece and Crete Part 4: War in the Pacific; victory in North Africa; the Americans in New Zealand; the ‘Home Front’ Part 5: Fighting in Italy; post-war problems; Labour defeated in the 1949 election. |
Reasons for Submission |
Episode 10 of “Frontier of Dreams” is a complex mix of colour and black and white archive film, interviews with historians and participants, present-day locations, small-scale reconstructions, graphics and archive stills. The footage is tightly intercut to heighten the sense of historical drama. The archive film was obtained, after extensive research, from both New Zealand and international archives. Some unusual material came from private collections, for example, the unique colour footage of the Battle of Crete. This is the first public showing of much of the archive footage, such as the nostalgic colour film of New Zealand’s Centennial Exhibition. |
Cited Work |
History of Singapore |
| Episode |
Eps 2 |
Production Company |
Lion Television |
Producer |
Tim Lambert |
| Director |
Alex Llay |
Archive Researcher (s) |
|
| Top Sources of Footage |
ITN Archive/British Pathe, Footage Farm, MediaCorp, Sinagapore Press Holdings, National Archives of Singapore |
Duration |
47' x 4 episodes |
First Shown |
04/12/05 Discovery Network Asia |
Country of Origin |
UK |
Synopsis |
The remarkable story of Singapore from the birth of nationalism in China through the trauma of World War Two and the struggle for independence first from the British and then the painful split from Malaysia - featuring remarkable interviews with the nations founders including Lee Kuan Yew. Nationalism arrived in Singapore in 1901 with Sun Yat Sen. Japan’s invasion of China in the 1930’s further fuelled this, triggering a nationalist outpouring. Japan soon attacked the small island. The seemingly impregnable island fortress was overrun in a trice and Britain surrendered Singapore in February 1942. The Japanese killed some 50,000 Singaporean Chinese in a little known massacre at Sook Ching. The young Lee Kwan Yew was an eye-witness. After the war, it was clear that the British no longer had the funds for the Empire and it was time for Singaporeans to fill the political vacuum. A new professional class of people like Lee Kuan Yew became the first Singaporean nationalists - they regarded Singapore as their homeland, neither China nor India. The political climate in the mid 1950’s was intense as Lee Kuan Yew and and Lim Chin Siong battled for the allegiance of Singaporean voters. Viewers learn of the threat of communism, Singapore’s relationship with and separation from Malaya, and the eventual formation of an independent government. And the film answers the intriguing question - why Lee Kuan Yew cried as he announced Singapore's independence in 1965. |
Reasons for Submission |
|
Cited Work |
Hitler in Colour |
| Episode |
|
Production Company |
TWI |
Producer |
David Batty |
| Director |
|
Archive Researcher (s) |
Adrian Wood, Polly Pettit, Victor Belyakov |
| Top Sources of Footage |
NARA, Transit Films, Karl Hoeffkes Agentur, La Camera Stylo Film Collection, Speigel TV |
Duration |
71' |
First Shown |
30/04/05 ITV3 |
Country of Origin |
UK |
Synopsis |
For 12 years one man’s overpowering personality dominated the German nation. In just seven years he led his people to European conquest and to the brink of creating a New World Order. He brought a reign of terror to millions. 2005 sees the 60th anniversary of Adolf Hitler’s death and the ignominious end of his dream of a Thousand Year Reich. To mark this chilling occasion Hitler in Colour, tells the story of the rise and fall of a man who, as the Nazi Fuhrer, devastated the lives of countless numbers of people around the world and brought death and suffering to millions. |
Reasons for Submission |
The story of Adolf Hitler and his rise to power has been told countless times. What is unique about Hitler in Colour is its use of entirely original colour archive film, bringing a new dimension to the chilling events of the twelve years of Hitler’s Third Reich. Much of the footage found for the programme had not been seen on television before. From the disturbing sights of Nazi war crimes to images of Hitler relaxing at his mountain retreat, Hitler in Colour provides an astonishing insight into the rise and fall of one of the most hated people in history. |
Cited Work |
Hollywood's Magical Island-Catalina |
| Episode |
|
Production Company |
Blue Water Entertainment Inc |
Producer |
Greg Reitman |
| Director |
Greg Reitman |
Archive Researcher (s) |
Jessica Berman-Bogdan |
| Top Sources of Footage |
Fox Movietone, UCLA Archives, William Wrigley, Jr Company, Producer's Library Service, Santa Catalina Island Museum |
Duration |
52' |
First Shown |
March 2005 |
Country of Origin |
USA |
Synopsis |
Hollywood's Magical Island-Catalina through the remarkable eye of first time film director, Greg Reitman, we get a first hand glimpse of The Magic Isle. While exploring historical, social, and environmental changes, the film captures the mystical splendors, natural beauty and romance of Santa Catalina Island. Using a mix of rare 16mm, archival film and old black and white stills, inter-cut with interviews of islanders, historians and celebrities; the viewer is taken on a journey during America’s golden era. It begins with the acquisition of the Santa Catalina Island Company in 1919 led by William Wrigley, Jr. He set a course for Catalina’s future in the world of art, sports, music and entertainment that was unmatched in US history even through present day. The film documents architectural achievements, many are first of a kind buildings and innovations that transformed Catalina from a simple island into a modern day state-of-the-art playground. The film highlights many of the individuals including stars of the Big Band Era, Marilyn Monroe, and the island’s role as Hollywood’s secret playground for the stars. The island even played a role in helping to elect a President. We witness the island’s tragedy and heartache – deftly captured in the film with heartfelt interviews and a score that tugs at the emotions. Utilizing interviews with Jean-Michel Cousteau, heirs of the Wrigley family, residents and visitors of the island; we learn of William Wrigley, Jr’s dream of preserving the island’s natural beauty as well as providing a magical place for all to enjoy. The film concludes with Art Good Jazz Trax, Fender’s Catalina Island Blues Festival, and a visual kaleidoscope of modern day Catalina Island as an ecological paradise highlighting the revival of the island as a place of leisure and entertainment. |
Reasons for Submission |
As a first time filmmaker, I was honored to experience the use of a never-before-touched historical archive to re-create the past. This documentary brought Catalina’s history to life giving both me as the filmmaker and my audience a deep appreciation for archival preservation of both film and stills. Being part of FOCAL Awards allows Catalina, Hollywood’s Magical Island to be recognized, not only as a documentary, but also as a piece of history preserved. It is with great honor that I submit to the FOCAL Awards. |
Cited Work |
How Sport Shook Up the World |
| Episode |
Eps 1 And changed a Nation |
Production Company |
Granada Sport |
Producer |
Tony Pastor |
| Director |
John McKenna |
Archive Researcher (s) |
John Smith |
| Top Sources of Footage |
ITV Sport Archive, Channel 4, ITN Archive, BBC Motion Gallery, Octagon CSI |
Duration |
25' x 3 episodes |
First Shown |
03/10/05 Channel 4 |
Country of Origin |
UK |
Synopsis |
Sport and the history of South Africa are inextricably linked. The Basil D’Oliveira affair was crucial in the isolation of the apartheid regime in world politics. Following the release of Nelson Mandela, the home country triumph in the Rugby World Cup of 1995 saw the symbolic and literal birth of the Rainbow Nation. Benjamin Zephaniah looks back at the fascinating role played by sport in the struggle for freedom with Henry Olonga and Simon Hughes. The archive is used to tell a complex story, with especially creative use of sound to bring the essence of the events to the viewers’ attention. The more recent archive is also well-utilised in showing the wider continuing relevance of the South African experience, especially in the case of crisis-torn neighbour Zimbabwe. |
Reasons for Submission |
The archive is used to tell a complex story, with especially creative use of sound to bring the essence of the events to the viewers’ attention. The more recent archive is also well-utilised in showing the wider continuing relevance of the South African experience, especially in the case of crisis-torn neighbour Zimbabwe. 78 clips from 7 different archive sources. |
Cited Work |
International Mystery of the Achille Lauro (Intrigo internazionale - L'affaire Achille Lauro0 |
| Episode |
|
Production Company |
Rai Educational and Wilder |
Producer |
|
| Director |
Maurizio Malabruzzi |
Archive Researcher (s) |
|
| Top Sources of Footage |
|
Duration |
60' |
First Shown |
2005, RAI |
Country of Origin |
Italy |
Synopsis |
The International Mystery of the "Achille Lauro". |
Reasons for Submission |
Footage used to illustrate events as they unfolded. |
Cited Work |
Intimate portrait: General de Gaulle |
| Episode |
|
Production Company |
Flach Film |
Producer |
Agnès Vicariot |
| Director |
René-Jean Bouyer |
Archive Researcher (s) |
Agnès Vicariot |
| Top Sources of Footage |
Gaumont Pathé archives, De Gaulle family archives, INA |
Duration |
100' |
First Shown |
24/10/05 France 3 |
Country of Origin |
France |
Synopsis |
Général de Gaulle is a giant in the History of France. Though most of his actions and thoughts have become legendary, his personality still stands as an enigma. This documentary shows the other side of the great man. Amiral de Gaulle, the Général's son tells us about his personal memories and opens the doors of the places where the family lived: Colombey-les-deux-Eglises, the Palais de l'Elysée, their home in London during WW2, ... Through unseen family archives, revelations and moving confidences we discover the other side of the Général, a man whose destiny once melted with France's history. |
Reasons for Submission |
The interest of this documentary is no doubt in the unedited documents - footage and photos - offered by de Gaulle's family to illustrate the intimate personality of this great man. This "premiere" added to the first shooting ever in the family home give the programme a very special touch. Intimate portrait aired on primetime on France 3 gave the channel one its best ratings in 2005. |
Cited Work |
Karol Wojtyla - A Pope in History |
| Episode |
|
Production Company |
Rai Trade |
Producer |
|
| Director |
Fabio Zavattaro |
Archive Researcher (s) |
|
| Top Sources of Footage |
|
Duration |
80' |
First Shown |
2005 RAI |
Country of Origin |
Italy |
Synopsis |
Attending his seminary in secret, he experienced both Nazism and Communism. As archbishop of Crakow, he was a protagonist of Polish history. He became Pope in 1978, the first non-Italian Pope since 1522. Who is Karol Wojtyla, who is John Paul II? This films tells about the man, the archbishop, the Pope; it paints a faithful portrait of his pontificate through the description of main issues in his papacy, the travels, the words said to beg for peace and justice. Since 11 october 1978, when, during the conclave, the archbishop Stefan Wyszynski told him "if you will be called, accept. You will have to take the Church into the Third Millenium". |
Reasons for Submission |
|
Cited Work |
Lost Decade Season: Little Kinsey |
| Episode |
|
Production Company |
Testimony Films |
Producer |
Steve Humphries |
| Director |
Steve Humphries |
Archive Researcher (s) |
Steve Humphries, Nick Maddocks |
| Top Sources of Footage |
BFI, Film Images/COI, BBC Motion Gallery, ITN Archive/British Pathe, Canal + |
Duration |
60' |
First Shown |
05/10/05 BBC4 |
Country of Origin |
UK |
Synopsis |
Little Kinsey lifts the lid on the secret world of sex in Britain in the aftermath of World War 2. It weaves together the extraordinary findings of the nation's first sex survey Little Kinsey, undertaken by Mass Observation in 1949, with the intimate sexual testimony of those who lived and loved through those years. |
Reasons for Submission |
This documentary made national news headlines by revealing for the first time the story of Britain's very own 'Kinsey' report. To do this it seamlessly combined period archive with Little Kinsey questionnaires, video diary type reconstruction of its findings and revealing sexual testimonies. It received pick of the day in all the nationals and critical acclaim for this BBC4 programme outshone attention given to programmes on the main terrestrial channels on the day of transmission. |
Cited Work |
Love Child |
| Episode |
Eps 2 |
Production Company |
Testimony Films |
Producer |
Steve Humphries |
| Director |
Steve Humphries |
Archive Researcher (s) |
Mary Parsons |
| Top Sources of Footage |
BFI, Film Images/COI, Scottish Screen, ITN Archive/British Pathe, BBC Motion Gallery |
Duration |
60' x 2 episodes |
First Shown |
16/01/05 ITV1 |
Country of Origin |
UK |
Synopsis |
The heart rending story of adption in Britain during the past sixty years. The stigma of illegitimacy forced many young unmarried mothers to hand over their babies for adoption. But many dreamt of one day being reunited. So too did their adpted children. We follow their search for each other. For some there is a happy ending, for others, further heartbreak. |
Reasons for Submission |
This series matches archive with personal stories using a freeze frame/flash technique that draws the viewer in to the testimonies. The film is highly emotonal, but also highly respectful to the birth mothers and children searching for them. The resoluton of the stories towards the end is very powerful. The series achieved the highest ever rating for ITV1's late night documentary slot and also attracted the biggest ever helpline response- 8,000 rang in after the programmes. In addition it received much critical acclaim. |
Cited Work |
Paris Colours |
| Episode |
|
Production Company |
Image et Compagnie |
Producer |
Serge Moati |
| Director |
Eric Deroo, Pascal Blanchard |
Archive Researcher (s) |
Brigitte Gruel |
| Top Sources of Footage |
Gaumont Pathé archives, INA, ECPA-D |
Duration |
52' |
First Shown |
28/06/05 France 3 |
Country of Origin |
France |
Synopsis |
This documentary tells us about another Paris, another France which is still fascinating today. We will examine closely a period, the one we are living now, and a country, our country. THe story starts at the end of the XIXth century and is still being written nowadays; the history of the communities, the history of those who make the singularity of a such a country like France. The history of men and women who came from another part of the world or who were born here, in Paris, in France. |
Reasons for Submission |
This documentary is made out of extracts of newsreels, fictions or documentaries which are definitely a language - texts and pictures - of another time and may be shocking for most of the viewers. By collecting and compiling such the director wants to help us to understand the words of immigration or integration in our today's world. |
Cited Work |
Prince Eddy |
| Episode |
|
Production Company |
Lion Television |
Producer |
Gary Hughes |
| Director |
Gary Hughes |
Archive Researcher (s) |
|
| Top Sources of Footage |
Getty Images, BBC Motion Gallery, Mary Evans Picture Library, Mervin Heard Private Collection |
Duration |
50' |
First Shown |
14/11/05 Channel 4 |
Country of Origin |
UK |
Synopsis |
Prince Eddy was the Great uncle of our present Queen, and yet the Royal Family never talks about him. Had he not died in 1892, he would have become king instead of his shy younger brother George V. But in the years since, Eddy’s reputation has become severely tarnished as people have sought to turn him into the nightmare of the Victorian age. Prince Eddy became a byword for the dark and decadent side of Victorian life. Rumoured to be involved in a notorious sex scandal and eventually even accused of being Jack the Ripper, Eddy’s reputation grew horns and a tale. The truth was very different. This revealing film uses newly discovered letters written by Prince Eddy himself, as well as newly discovered and archive photographs, to explore whether his early death saved Britain from a monster, or cheated us of a good king. For the first time Eddy’s own words serve in his defence in a fresh investigation of this remarkable king we never had. |
Reasons for Submission |
|
Cited Work |
Revealed |
| Episode |
Bad Boys of the Blitz |
Production Company |
Testimony Films |
Producer |
Steve Humphries |
| Director |
Steve Humphries |
Archive Researcher (s) |
Nick Maddocks |
| Top Sources of Footage |
ITN Archive/British Pathe, Film Images/COI, BFI, Canal + |
Duration |
60' x 4 episodes |
First Shown |
03/05/05 five |
Country of Origin |
UK |
Synopsis |
Bad Boys of the Blitz tells for the first time the story of the big increase in crime and the rise of the criminal underworld in wartime Britain. Featuring the testimony of Mad Frankie Fraser along with other wartime villains and delinquents it combines dramatic stories with period achive to create a vivid picture of a crisis of law and order on the home front. It shows how crime peaked during the blitz, and how the police, the government and the prison service combined to successfully crack down on crime by the time war ended. |
Reasons for Submission |
This film uses period archive, feature films and revelatory testimony to tell a story that had remained hidden from history. The archive is so closely matched with the archive at times it seems as if they were specially shot to illustrate them. The viewer is drawn in to the amazing storylines of the three criminal characters featured in the film - and the detective trying to put all lawbreakers behind bars. The film builds to a dramatic and shocking conclusion. |
Cited Work |
Revealed |
| Episode |
Secrets of the Dating Agency |
Production Company |
Testimony Films |
Producer |
Steve Humphries |
| Director |
Steve Humphries |
Archive Researcher (s) |
Nick Maddocks |
| Top Sources of Footage |
ITN Archive/British Pathe/Granada, BBC Motion Gallery, Oxford Scientific Films |
Duration |
60' x 6 episodes |
First Shown |
06/12/05 five |
Country of Origin |
UK |
Synopsis |
The secret history of the business of love in Brtain. When the first marriage bureau opened in 1939 it was shocking and shameful. Sixty five years later speed dating and internet dating are highly fashionable and used by millins. Featurning rare archive and an amazing cast of charactersthis documentary charts the extraordinary rise of organised dating. |
Reasons for Submission |
The film beautifully weaves together period archive, vintage feature film footage and personal testimony to create an entertaining journey across sixty five years of romance. It is touching, humorous and in places deeply moving, building to an intriguing climax- with an unexpected twist. |
Cited Work |
Road to Tokyo |
| Episode |
|
Production Company |
Film Australia |
Producer |
Sally Regan |
| Director |
Graham Shirley |
Archive Researcher (s) |
Graham Shirley, Lisa Savage, Polly Petit, Jane Manning, Joanna Penglase, Anna Nolan, Naomi Hall |
| Top Sources of Footage |
Film World, Imperial War Museum, George Bolton Private Collection, Australian War Memorial, NARA |
Duration |
56' |
First Shown |
18/08/05 ABC TV |
Country of Origin |
Australia |
Synopsis |
By late 1944, the worst of World War Two appears to be over. But the conflict in the Pacific is about to hot up and it will be a long road to Tokyo for the Allies... Combining interviews and vivid archival footage, this is an eyewitness account of an often forgotten episode in history, providing a social context as well as a military overview of the titanic struggle to defeat Japan. For Australia, it is signposted with some of the bloodiest campaigns and most appalling events of the war - and the memory of 8031 POWs who would never come home. |
Reasons for Submission |
Drawing on remarkable archival footage and interviews with veterans and historians the program examines Australia’s role in the drive to defeat Japan at the end of WWII. The strong archive content contains newsreels of the day as well as substantial sources of colour film recently discovered in a private collection during research for Colour of War – the Anzacs. Also included is footage of prisoners of war and detailed colour and black and white coverage of the controversial 1945 Australian campaign in Borneo that some claim was an unnecessary sacrifice. Graham Shirley, arguably Australia’s most knowledgeable film archivist, researched archival sources. |
Cited Work |
Ronnie Biggs: The Last Escape? |
| Episode |
|
Production Company |
North One Television |
Producer |
Don Perretta |
| Director |
Pete Woods |
Archive Researcher (s) |
Susan Huxley |
| Top Sources of Footage |
ITN Archive, ABC Australia, British Movietonews, Globo, Pat King |
Duration |
60' |
First Shown |
14/03/05 Sky1 |
Country of Origin |
UK |
Synopsis |
The story of Britain's most notorious fugitive, as told by the people who were there - including the mastermind behind the crime (Bruce Reynolds), the journalist who found him in Rio (Colin Mackenzie) and the man who kidnapped him (John Miller) - as well has friends and family. |
Reasons for Submission |
Previously unseen footage as well as newly available dossiers from the Public Records Office made for a richly archived, definitive retelling of this modern folk-tale - with an astonishing amount of footage collated from all over the world within an extremely short production period (just two months). |
Cited Work |
Scannal |
| Episode |
Eps 3 Dutch Courage - The Herrema Kidnapping |
Production Company |
RTÉ - Radio Telefís Éireann |
Producer |
Kevin Cummins |
| Director |
Kevin Cummins |
Archive Researcher (s) |
Garry MacDonncha, Kevin Cummins |
| Top Sources of Footage |
RTÉ Archives, BBC Motion Gallery |
Duration |
26 x 6 episodes |
First Shown |
03/10/05 RTÉ 1 |
Country of Origin |
Ireland |
Synopsis |
Programme 3 in the Scannal series looks back at the kidnapping of Dr. Tiede Herrema. In Ireland 30 years ago, on the 3rd October 1975, a little known Dutch industrialist was kidnapped on his way from his Limerick home to the multinational factory which he managed. Herrema was to become a household name, not only in Ireland, but around the world, as the international press headlined the tangled saga of love, politics and 1970s style republican terrorism in what was to become the longest running kidnapping in recent Irish history. Scannal brings us back to those dramatic days & nights. Talks to the people who were there – on the outside looking in - Government Ministers, negotiators & even reporters, but also we talk exclusively with two of the people at the centre of the drama - Tiede & his wife Elisabeth Herrema |
Reasons for Submission |
Scannal uses the power of good archive to re-visit events that are burned into the Irish national collective memory. These were events that stopped people in their tracks - those that lived through them remember forever where they were - for those who grew up later - a whole chapter of what was current affairs but is soon to be history is revealed. The fact that it is a bilingual production has not limited the appeal of accessible archive telling great stories. This particular programme makes excellent use of, not only contemporary multimedia archive, but also period (1970's) dramatisations where they've proved accurate, blurring the line without compromising the facts. |
Cited Work |
That part of the soul called body: Karol Wojtyla's calvary (Quella parte di anima chiamata corpo: il calvario di Karol Wojtyla) |
| Episode |
|
Production Company |
Rai Educational |
Producer |
|
| Director |
Stefano Rizzelli |
Archive Researcher (s) |
|
| Top Sources of Footage |
RAI Trade |
Duration |
60' |
First Shown |
2005 RAI |
Country of Origin |
Italy |
Synopsis |
The story of Pope John Paul |
Reasons for Submission |
|
Cited Work |
The American friend |
| Episode |
|
Production Company |
Televisió de Catalunya |
Producer |
Sílvia Pairó |
| Director |
Santiago Torres |
Archive Researcher (s) |
Teresa Ibars |
| Top Sources of Footage |
Archivo NO-DO, TVE Televisión Espanola, RNE Radio Nacional de Espana, APTN Library, ITN Archive |
Duration |
68' |
First Shown |
13/03/05 TV3, Televisió de Catalunya |
Country of Origin |
Spain |
Synopsis |
A documentary about the complex and sometimes rocky relationship between Spain and the United States over the last fifty years. |
Reasons for Submission |
Effective use of archive material. |
Cited Work |
The Boat and the Bomb |
| Episode |
|
Production Company |
Greenpeace International |
Producer |
Martin Atkin |
| Director |
Martin Atkin |
Archive Researcher (s) |
Bryonie Baxter, Lloyd Davies |
| Top Sources of Footage |
Greenpeace, TVNZ, Lawrence Livermore National Laboratory |
Duration |
52' |
First Shown |
10/07/05 Fiji |
Country of Origin |
The Netherlands |
Synopsis |
Documentary marking the 20th anniversary of the bombing of the Greenpeace flagship, the Rainbow Warrior, by agents of the French government in Auckland Harbour, New Zealand. On the night of July 10 1985 the Rainbow Warrior had been docked in harbour for three days while preparations for the protest voyage to the nuclear test site at Moruroa Atoll were finalised. Just before midnight two bombs exploded sinking the ship and killing cameraman Fernando Pereira. |
Reasons for Submission |
Twenty years after the bombing of the Greenpeace flagship Rainbow Warrior, painstaking research in the archives of the International Institute of Social History in Amsterdam unearthed the remarkable footage around which The Boat and the Bomb is constructed. Using a combination of amateur and professional film - some of it never previously broadcast - the programme traces the story of the Rainbow Warrior from her launch in 1978 to the fatal bombing in 1985. The archive comes from many different sources - the ship's own crew, the French military and television news programmes. Interspered with the words and stories of those involved, the film is a reminder both of a shocking public event and a a poignant private tragedy. |
Cited Work |
The Concert for Bangladesh |
| Episode |
|
Production Company |
Ascent Media |
Producer |
Olivia Harrison |
| Director |
Claire Ferguson |
Archive Researcher (s) |
|
| Top Sources of Footage |
|
Duration |
45' |
First Shown |
09/12/05 BBC2 |
Country of Origin |
UK |
Synopsis |
In 1971, former Beatle, George Harrison organised The Concert for Bagladesh. At that time, the country was ravaged by floods, famine and civil war, which left 10 million people fleeing their home. The concert was one of the most ambitious humanitarian efforts in music history. The concert, film and album produced an extraordinary contribution for UNICEF. |
Reasons for Submission |
This was an extraordinary event and this film reveals the story of the concert. Both Secretary General Annan and Sir Bob Geldof have reflected upon the legacy of this event and acknoweldge it as the forefunner and inspiration for the major fundraising events of recent years. Following extensive restoration work completed at Ascent Media, this concert can now be enjoyed by a new generation of viewers. |
Cited Work |
The Drama of Dresden |
| Episode |
|
Production Company |
Broadview TV GmbH |
Producer |
Leopold Hoesch |
| Director |
Sebastian Dehnhardt |
Archive Researcher (s) |
Nina Hetzer |
| Top Sources of Footage |
Imperial War Museum, Kaleidoscope, Bundesfilmarchiv, Transit Film, Deutsche Wochenschau |
Duration |
90' |
First Shown |
08/02/05 ZDF |
Country of Origin |
Germany |
Synopsis |
It took exactly one night and one day. One night and one day only to entirely destroy, what had been built up in centuries. Dresden, nicknamed 'Florence on the Elbe river', used to be a baroque-style synthesis of the arts and one of the few cities to be largely spared by the devastating bomb attacks of World War II for the longest time. Within just 24 hours, the ancient metropolis drowned in debris. More than 25.000 people met an atrocious fatality in this disastrous fire storm. |
Reasons for Submission |
The documentary outlines miscellaneous fates and stories on a multi-level dimension, both in time and experiences. It recalls the doom of the Dresden residents and the pilots, the destiny of the survivors and those, who could not manage to escape the fire by means of footage which has never been broadcasted before. This novel form of contemporary documentary reflects Dresden's final 24 hours. The Drama of Dresden is unique in its variety of historical and emotional mostly colored pictures. For this reason the viewer is placed back in history by experiencing the dramatic art and cruelty on its own. |
Cited Work |
The Face of Victory |
| Episode |
|
Production Company |
Primitive Entertainment/Barna-Alper Productions |
Producer |
Laszlo Barna, Kristina McLaughlin, Michael McMahon |
| Director |
Kevin McMahon |
Archive Researcher (s) |
Elizabeth Klinck |
| Top Sources of Footage |
NARA, Library of Congress, Getty Images, Imperial War Museum, Archives Canada |
Duration |
72' |
First Shown |
24/10/05 History Television |
Country of Origin |
Canada |
Synopsis |
World War II was the most destructive bloodletting the world has ever known, leaving 55 million dead, and millions more on the edge of starvation, in prison, orphaned and homeless. The war’s end brought euphoria to the leaders and citizens of the winning countries – as we know from the famous images of VE and VJ Days. But the reality meant imprisonment for millions on the losing sides; hunger and privation for millions more who were caught in the middle. The Face of Victory is a portrait, told entirely in photographs, of the variegated surface of that more complex reality. |
Reasons for Submission |
This film is told entirely in still photographs, beautifully illuminated by a haunting original score, gathered from archival sources around the world. The real documentarians of WW11 were the brave men and women - news and military photographers - who endured peril and privation to bear witness to life in war zones. Some, like Cartier-Bresson, became famous, but many others remained almost entirely anonymous. Our joy was being able to show so many images that have not been seen since the day they were developed, 60 years ago; our sadness in realizing that these photographers and subjects would never know they were thus remembered. |
Cited Work |
The hidden face of the liberators (La fache cachée del Libérateurs) |
| Episode |
|
Production Company |
Program33 |
Producer |
Fabrice Coat |
| Director |
Patrick Cabouat, Alain Moreau |
Archive Researcher (s) |
Christine Loiseau |
| Top Sources of Footage |
NARA, ITN Archive, ERE Production, Atelier des Archives, Gaumont Pathé archives , Cinématheque de Bretagne, ECPA-D, APTN Library |
Duration |
54' |
First Shown |
December 2005 France3 |
Country of Origin |
France |
Synopsis |
Everyone remembers the joyful images of the liberation of Europe, particularly that of France by the American army in 1944 and 1945. This perfect picture is deeply rooted in the collective memory through 60 years of constant broadcast of archive footage and fiction movies. One American researcher just brought the myth down by publishing a book revealing "the hidden side of the liberators". Between 1942 and 1945, some 17,000 women and children are thought to have been raped by American soldiers in the United Kingdom, in France and in Germany. |
Reasons for Submission |
The part "the most glorious generation" played in the victory against the Nazi unfortunately has a hidden side. Between 1942 and 1945, around 17 000 women and children are thought to have been raped by American soldiers in Great Britain, France and Germany. This documentary is an investigation based on the still taboo university work of American crime specialist Robert Lilly who first brought these facts into light. |
Cited Work |
The Hunt For Hitler's Scientists |
| Episode |
|
Production Company |
Windfall Films Ltd |
Producer |
Mark Radice |
| Director |
Mark Radice |
Archive Researcher (s) |
Emily Roe |
| Top Sources of Footage |
NARA, Footage Farm, George Stevens Colour Archive, Kaleidoscope, Bundesarchiv |
Duration |
48' |
First Shown |
10/05/05 five |
Country of Origin |
UK |
Synopsis |
The Hunt for Hitler’s Scientists in the dying days of World War II, undercover Allied agents engaged in a desperate race against one another to capture the best and brightest of Germany’s scientific community. With Hitler’s army in retreat, British American, and Russian forces set their sights on the architects of the Nazis’ advanced “vengeance” weapons – high-tech aeroplanes, sophisticated rockets and even, perhaps, a German atomic bomb. The Hunt for Hitler’s Scientists tells the story of this crucial pursuit through real-life accounts of daring raids, rare archival footage, vivid eyewitness testimony and visits to the Nazis’ technological hideaways. |
Reasons for Submission |
Hunt for Hitler's Scientists uses archive in an interesting and innovative way. |
Cited Work |
The Last Atomic Bomb |
| Episode |
|
Production Company |
Richter Productions Inc |
Producer |
Robert Richter |
| Director |
Robert Richter |
Archive Researcher (s) |
Bonnie Rowan |
| Top Sources of Footage |
NARA |
Duration |
92' |
First Shown |
09/08/05 Nagasaki, Japan Atomic Bomb Museum |
Country of Origin |
USA |
Synopsis |
A story of horror and hope, profiling a Nagasaki bomb survivor and a college student dedicated to keeping the survivor's story and nuclear abolition work alive, the documentary interweaves their lives with the US decision to use the bomb, censorship in the US and Japan about the bomb and its effects, the Cold War nuclear weapons build up, and today's nuclear proliferation issues. |
Reasons for Submission |
We use some archival footage that probably has not been seen in over 50 years, particularly footage that presents both the wartime US and Japanese propaganda film about their enemy. We also use footage to help describe the still controversial US decision to use the bomb, in a way that probably has not been used in any other film before. Our interweaving of these and other archival footage adds both factual and emotional relevance to the production. |
Cited Work |
The Last Days of the Nazis |
| Episode |
Eps 2 |
Production Company |
Granite Productions |
Producer |
Ed Harriman |
| Director |
Ed Harriman |
Archive Researcher (s) |
Toby Welfare |
| Top Sources of Footage |
Footage Farm, Images of War, Imperial War Museum |
Duration |
48' x 2 episodes |
First Shown |
18/04/05 Sky 1 |
Country of Origin |
UK |
Synopsis |
Eyewitnesses recall how, after Hitler's death, the top Nazis fled the advancing Russians. Hitler's body was burnt outside his bunker, and his skull eventually taken to Moscow. Old men and boys defend Berlin, as Goebbels and his wife poison their children before committing suicide. Later, Goering and Himmler meet similar fates, and, with the arrest of Doenitz, the last days of the Nazis have truly arrived. |
Reasons for Submission |
This was Sky One's first history programme. The challenge was to attract and keep young viewers unused to this genre. Library film, excitingly edited yet authoritative, was a key element in this approach. |
Cited Work |
The Life of an Agent |
| Episode |
|
Production Company |
Bologna Film |
Producer |
Papp Gábor Zsigmond |
| Director |
Papp Gábor Zsigmond |
Archive Researcher (s) |
Papp Gábor Zsigmond, Tamási Miklós |
| Top Sources of Footage |
Archive of the Hungarian Secret Services |
Duration |
54' (10-15' x
4 episodes) |
First Shown |
June 2005, RTL Klub, Hungary |
Country of Origin |
Hungary |
Synopsis |
During the communist era hundreds of propaganda and instructional films as well as short and full-length feature films were produced in Hungary. These films addressed a wide range of subjects, providing guidance as to the appropriate methods of protecting the socialist state for Hungarian policemen, border guards and counter-intelligence staff. Among others, their subjects included the expert illustration of a clandestine home raid, the operative shadowing of select target persons, the installation of tapping devices, and the organisation of agents and denunciators. The film is divided into four sub-parts, treated in 20 minutes each. 1. Where to put the bug? 2. Introduction to raiding homes 3. Introduction to enlistment 4. Effective networking. |
Reasons for Submission |
I think these are extraordinary documents of the East European history of the 20th century, which were secret even 15 years after the changing of the regime. By the selection and integration of the most interesting, most moving or the funniest fragments and adding expert commentary to the individual scenes, we tried to illustrate the operation and the way of thinking of and the major motives behind the coercive organisation of János Kádár’s dictatorship. |
Cited Work |
The lost expedition |
| Episode |
|
Production Company |
A Crossing The Line Films Production |
Producer |
John Murray |
| Director |
Peter Bate |
Archive Researcher (s) |
|
| Top Sources of Footage |
Tom Agnew, Climate Research Branch, Meteorological Serice of Canada; Defence Research and Development , Canada; BFI; Scott Polar Research Institute, University of Cambridge; National Film Board of Canada |
Duration |
43' |
First Shown |
20/11/05 ARTE |
Country of Origin |
Ireland |
Synopsis |
In 1845 Sir John Franklin, with two ships and 132 men, set out to find a route to Asia through the arctic – the fabled Northwest Passage. The expedition vanished. Despite a £30m search in the 19th century, a series of scientific expeditions in the 20th century and new investigations in the 21st, the mystery of what happened to the Franklin arctic expedition has still not been solved. The first news of the expedition came nine years after they had left England and it was not what the British wanted to hear. The ships were lost, all the men were dead and worst of all there was evidence of cannibalism. What should have been a national disaster was now a national disgrace. |
Reasons for Submission |
Historic, science and adventure - the great mix of scientic information, wonderful landscape pictures, archival footage mixed with current research material. Not abundant in words. |
Cited Work |
The Lost World of Mitchell & Kenyon |
| Episode |
Sport & Pleasure |
Production Company |
BBC |
Producer |
Annabel Hobley |
| Director |
Annabel Hobley |
Archive Researcher (s) |
Kathy Manners |
| Top Sources of Footage |
British Film Institute |
Duration |
60' x 3 episodes |
First Shown |
21/01/05 |
Country of Origin |
UK |
Synopsis |
An amazing discovery of 800 short films from the Edwardian Age is the basis for this magical new series. The films were rescued after lying forgotten in a cellar for over eighty years and restored to their original clarity by the British Film Institute. These 35mm films shot by pioneering Blackburn film-makers Sagar Mitchell and James Kenyon take the viewer into a lost world. Presenter Dan Cruickshank uses the films to throw new light on Britain at work and play before the First World War, even tracking down descendants of people captured on the films. |
Reasons for Submission |
This series is a showcase for a once in a lifetime archive find. 28 hours of footage dating from 1900 – 1913 stored in rusting cannisters were nearly thrown onto the skip. The remarkable story of the Mitchell & Kenyon discovery and the BFI restoration is engagingly told, and the characters of these two unknown film-makers are brought to life through drama reconstructions, shot in 1900s studio style. The footage acts as a window onto the social history of this often forgotten period before WWI and, combined with interviews with relatives of people in the films, truly brings the era alive. |
Cited Work |
The Profile of an Era, China 1931-1945 |
| Episode |
|
Production Company |
China Central Television |
Producer |
Wei Bin |
| Director |
Chen Xiaoqing |
Archive Researcher (s) |
Zhu Lexian, Li Jifeng |
| Top Sources of Footage |
China Central News Documentary film Factory, China Film Archive, China National Library, China Central Televison, The Second Historical Archives of China (SHAC) |
Duration |
30' x 3 episodes |
First Shown |
15/08/05 China Central Television |
Country of Origin |
China |
Synopsis |
To China, it is a specific period from 1931-1945. Since the Japanese invaded the North-east China in 1931, myriad Chinese and their families were forced to change their original life in the following 15 years. This documentary gathered the footage taken during the period as much as we could find so far, with assistance of the files about China in that specific era from the other media, and gave us an all-around and unfeigned panorama of China during those 15 years. |
Reasons for Submission |
Different from those Chinese documentaries, which are recording that specific period of history, The Profile of an Era doesn’t focus on political and military events, with its greatest endeavours, by the angle of social and domestic life, brings back to life the living scenes from various walks of life in that particular period of China. To achieve the end, numerous reference newsreels are drawn from the ones produced by the one-time Chinese movie studios, the military correspondents to those by the Japan-backed puppet regime. Without any current shooting and interviews, the programme shows “the power of the footage”. |
Cited Work |
The Russian Revolution in Colour |
| Episode |
|
Production Company |
IWC Media Ltd |
Producer |
Ian Lilley |
| Director |
Ian Lilley |
Archive Researcher (s) |
Alison McCallan |
| Top Sources of Footage |
Russian State Archive, Krasnogorsk; Kaleidoscope Archvie, Moscow |
Duration |
48' x 2 episodes |
First Shown |
22/03/05 five |
Country of Origin |
UK |
Synopsis |
The Russian Revolution in Colour was a pioneering documentary history series for Five, transmitted on consecutive Tuesday evenings in late March this year. Combining high quality dramatic reconstructions and painstakingly colourised archive, the series told the astonishing story of the Kronstadt sailors during the Russian Revolution and Civil War from 1917 to 1921. During these four tumultuous years of the sailors traveled a path from revolutionary enthusiasm to betrayal and execution. For the first time on mainstream British television this story was told with intelligence and emotion and - as the participants had experienced it – in colour. |
Reasons for Submission |
The Russian Revolution In Colour delivered a good, upmarket, audience for Five (averaging over 1 million across the two weeks) for a remote and difficult subject. Equally important, the series attracted widespread and positive press attention for Five as Pick Of The Day in a number of national papers, a key goal of the Channel. Therefore, in terms of economic entrepreneurship, editorial excellence and channel delivery we believe the Russian Revolution is a fitting candidate for the Focal Awards 2006. |
Cited Work |
Timewatch |
| Episode |
Children of the Doomed Voyage |
Production Company |
Testimony Films |
Producer |
Steve Humphries |
| Director |
Steve Humphries |
Archive Researcher (s) |
Mary Parsons |
| Top Sources of Footage |
BFI, ITN Archive/British Pathe, British Movietonews, Canal +, Footage Farm |
Duration |
50' |
First Shown |
18/11/05 BBC2 |
Country of Origin |
UK |
Synopsis |
It began as a great adventure for evacuees sent to a safe haven overseas. It ended in the worst single disaster involving British children in the Second World War. This is the heart rending story of the sinking of the evacuee ship the SS Benares in 1940, told through the words of the last child survivors, complemented with long forgotten archive. |
Reasons for Submission |
The documentary skillfully weaves together intimate personal testimony with photographs and archive of the actual survivors, complemented with period feature film footage and reconstruction to create an oganic and deeply moving narrative. It builds to a dramatic climax, revealing the terrible loss and trauma of those children on board. But it is always respectful to them and their memories. |
Cited Work |
Titanic: A Tale of Two Journeys |
| Episode |
|
Production Company |
The History Channel |
Producer |
Martin Morgan |
| Director |
Andrew Brooking |
Archive Researcher (s) |
Toby Groom |
| Top Sources of Footage |
Kingfisher Productions, Titanic: A World Class Collection |
Duration |
47' |
First Shown |
18/10/05 The History Channel |
Country of Origin |
UK |
Synopsis |
This programme accounts two journeys involving Titanic: the journey which the great liner took in 1912; and the journey of a competition winner nearly 95 years on, to the wreck of Titanic, which lies 2½ miles beneath the Atlantic Ocean. |
Reasons for Submission |
This visually stunning and carefully crafted film skillfully melds together the scant archive sources of the Titanic with modern material shot on an emotional voyage to the Titanic's watery grave - the effect is to carefully combine the original fateful voyage with that of a modern day tourist while subtely encouraging the viewer to think just that little bit harder about what it was like to sail on the Titanic. |
Cited Work |
Tokyo: The Day the War Ended |
| Episode |
|
Production Company |
Point du Jour |
Producer |
Luc Martin-Gousset |
| Director |
Serge Viallet |
Archive Researcher (s) |
Serge Viallet and Cedric Lepee |
| Top Sources of Footage |
NARA, Imperial War Museum |
Duration |
52' |
First Shown |
21/09/05 ARTE |
Country of Origin |
France |
Synopsis |
The programme gives a detailed account of the Japanese surrender on the USS Missouri in Tokyo Bay 2 September 1945. The film takes us from the arrival in Japan of General Douglas MacArthur at the head of the US military on 29 August 1945 through to his establishment in Tokyo on 18 September. However, the programme concentrates on the day of surrender itself, telling a fascinating story of that event – an event usually only briefly referred to - using high-quality archival images and exact historiography. |
Reasons for Submission |
The production is beautifully crafted using only archive images. It is historically correct in all senses, especially indicating the date of images that fall outside the immediate narrative. The surrender is visually described in great detail, with images from practically every camera present, giving the viewer a unique and privileged view of what was until now, only a briefly referenced event. The filmmakers have ensured that all material used is of the highest quality – resulting in a programme that not only draws you in and holds your attention throughout, but also highlights the potential of archive film. |
Cited Work |
Victory in Europe in Colour |
| Episode |
|
Production Company |
TWI |
Producer |
Kim Hogg |
| Director |
|
Archive Researcher (s) |
Lars Andersen, Polly Pettit |
| Top Sources of Footage |
Imperial War Museum, NARA, ITN Archive/Granada, DR TV, Lincolnshire Film Archive |
Duration |
51' |
First Shown |
08/05/05 ITV1 |
Country of Origin |
UK |
Synopsis |
To mark the 60th anniversary of the end of the Second World War, TWI’s Victory in Europe in Colour was broadcast on ITV1 on May 8th 2005. Using original colour film, emotive letters and diaries we hear the personal stories of those involved in the final stages of the war, not only the soldiers in combat but the family and close friends at home. We bring to life the key events of the period including the hard-won campaign in Normandy by the Allies, the bombing campaign waged against German cities, German troops surrendering in their thousands, victory celebrations across Europe and the aftermath of the end of the war. |
Reasons for Submission |
The In Colour brand has never failed to impress audiences with its original colour archive film. The impact and immediacy of colour images of a time in history usually associated with black and white is undeniable. We found archive of soldiers in combat, soldiers being greeted in liberated towns, civilians back home celebrating V.E. Day, and of the course the key political figures who brought victory in Europe and beyond. Victory in Europe in Colour is an intimate portrayal of the turbulent time at the end of the war, and uses footage that captures scenes bringing to life a bittersweet time full of mixed emotions. |
Cited Work |
Vietnam Symphony |
| Episode |
|
Production Company |
Film Australia |
Producer |
Kerry Herman |
| Director |
Tom Zubrycki |
Archive Researcher (s) |
Kerry Herman, Bonnie Rowan |
| Top Sources of Footage |
NARA, Vietnam National Studio for Documentary - Scientific Films (TLKH), Private collections |
Duration |
52' |
First Shown |
13/10/05 SBS-TV |
Country of Origin |
Australia |
Synopsis |
In 1965, as the Vietnam War intensified, students and teachers from the Hanoi National Conservatory of Music were forced to flee the city for the relative safety of a village in the countryside. With the help of villagers, they built an entire campus underground, creating a maze of hidden tunnels connecting an auditorium and classrooms. There, as the war raged around them, they lived, studied and played music for five years. Vietnam Symphony tells their extraordinary story. Combining remarkable archival footage with contemporary interviews and a sublime soundtrack, it paints a portrait of life then and now, in a rapidly changing nation. |
Reasons for Submission |
The main archive source is a film made about the underground conservatoire by a member of the Government Film Unit during and immediately after the move from Hanoi. We Learn To Play was shot in the village between 1966-68. It includes footage of pianos on hand-carts being pushed by villagers, students being given personal tuition in violin and piano in underground caves, dormitories being built, students performing concerts in the open air, children sheltering in holes, soldiers showing students how to operate rocket launchers, and a concert performed for Ho Chi Minh shortly before his death. Other archive material includes shots of people evacuating Hanoi and the destruction wrought on the city by B52 bombers. The archive has been brilliantly preserved and is of extraordinary quality. |
Cited Work |
Warlords |
| Episode |
Eps 2 Churchill v Roosevelt |
Production Company |
3BM Television Ltd |
Producer |
Simon Berthon |
| Director |
Simon Berthon |
Archive Researcher (s) |
Joanna Potts, Polly Pettit |
| Top Sources of Footage |
NARA, Library Of Congress, Kaleidoscope, Krasnogorsk State Archive, ITN Archive |
Duration |
60' x 4 episodes |
First Shown |
31/07/05 Channel 4 |
Country of Origin |
UK |
Synopsis |
Between 1939 and 1945, while their nations fought a war of weapons, the four great warlords of the twentieth century - Hitler, Stalin, Churchill and Roosevelt - fought a war of the mind. At the heart was a series of psychological duels in which they lied, schemed, charmed, flattered and deceived to win. What was curious was that these duels took place not while they were enemies but while they were supposed to be allies. Yet their behaviour was egotistic, sometimes petulant, sometimes monstrous, and politically, despite the rosy glow in which some are seen today, always selfish. The duels of the warlords decided the strategy for the greatest battles in history. They were also the epicentre of a seismic shift in world power - from the age of European empires to the age of two ideologically opposed superpowers, with devastating consequences for hundreds of millions of people. |
Reasons for Submission |
Warlords was faced with a perennial problem of Second World War series - how to make archive feel fresh and give it new meaning. Part of the solution was intense research to find less well-known footage, particularly from Russian sources. However, the controlling idea was to use archive to get inside the minds of the four warlords by constructing small sets in which the individual warlord was filmed watching projected archive. After all, before the age of television, newsreel and film was a key source of information for the warlords and they studied it closely. This innovative technique required an enormous amount of planning and script perfecting before the shoot - but it meant that both the archive and the perceptions of the warlords could be seen in a new light. |
Cited Work |
Youthquake 65 |
| Episode |
|
Production Company |
Intervista Digital Media |
Producer |
Sandra Harzer-Kux, Christian Kux |
| Director |
Christoph Dreher |
Archive Researcher (s) |
Christoph Dreher and Crew |
| Top Sources of Footage |
BBC Motion Gallery, Private Collections |
Duration |
55' |
First Shown |
01/07/05 ARTE |
Country of Origin |
Germany |
Synopsis |
The film Youthquake ’65 focuses on the influence of the exciting period around 1965. In the years between 1964 and 1966 a number of political, social, and cultural revolutions occurred in Europe, which inspired a whole generation of young artists to experiment with radically new means of expression. A great number of them were musicians whose songs somewhat functioned as pressure-relief valves for a boiling youth and protest culture. |
Reasons for Submission |
On the occasion of the 40th anniversary of the “Youthquake” in 2005, the director Christoph Dreher analyses the emergence of these archetypal means of expression based on musical, political, and cultural developments in Great Britain. |
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