WINNERS OF THE 2016 FOCAL INTERNATIONAL AWARDS BELOW.
THE CALL FOR SUBMISSIONS TO THE 2017 FOCAL INTERNATIONAL AWARDS WILL BEGIN OCTOBER 2016 FOR PRODUCTIONS PREMIERED IN 2016.
Please read the Entry Guidelines first, then the Category details. When you have chosen an appropriate Category that you want to make a submission to, go to the Award Submission Form. On the submission form you select the chosen category and the correct form will appear. Please note that the forms do not retain your information so it is advisable to prepare and save your text in advance in case there is a problem! Also please have your purchase order number ready or your credit card ready. We can only take Mastercard or Visa and you should have it cleared for overseas transactions in advance. Good luck!!
Bridgeman Footage is a division of Bridgeman Images, the art and history licensing specialists, distributing multi-media packages to creative professionals and TV broadcasters worldwide.
Our rights managed footage collection comprises new and exclusive films including social history and newsreel archive, HD world travel and archaeological sites, artist profiles and vintage animation. Visit our website to search, preview and download over 1 M high resolution images alongside clips to create a complete visual package. Contact our expert researchers who can advise on copyright and provide free searches in our extensive archive offline
In the summer of 1968 television news changed forever. Dead last in the ratings, ABC hired two towering public intellectuals to debate each other during the Democratic and Republican national conventions. William F. Buckley Jr. was a leading light of the new conservative movement. A Democrat and cousin to Jackie Onassis, Gore Vidal was a leftist novelist and polemicist. Armed with deep-seated distrust and enmity, Vidal and Buckley believed each other's political ideologies were dangerous for America. Like rounds in a heavyweight battle, they pummeled out policy and personal insulttheir explosive exchanges devolving into vitriolic name-calling. Live and unscripted, they kept viewers riveted. Ratings for ABC News skyrocketed. And a new era in public discourse was born. Directed with consummate skill by filmmakers Robert Gordon and Academy Award-winning Sundance Film Festival alum Morgan Neville (Twenty Feet From Stardom), Best of Enemies unleashes a highbrow blood sport that marked the dawn of pundit television as we know it today.
In Best of Enemies, we made the creative decision to allow our two protagonists to appear in the film exclusively through archival footage. Both Vidal and Buckley lived full lives in front of the camera, so we had a deep well to draw from. By using archival footage to speak for both Buckley and Vidal, we were able to craft intimate, nuanced and balanced portraits of both men.
THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION is the first feature length documentary to explore the Black Panther Party, its significance to the broader American culture, its cultural and political awakening for black people, and the painful lessons wrought when a movement derails.
The film uses extensive archival materials to render an engaging and nuanced portrait of the Black Panther Party. The two hour film is comprised of over 50 minutes of archival footage alone. The research team investigated hundreds of sources, both domestic and international, as well other filmmakers' archives. The coup de grace came when never-before footage found on the floor of person's closet matched the audio of a never-before heard phone confrontation between Huey Newton and Eldridge Cleaver, allowing us to present a pivotal and resonant scene. Many of the photos used in the film have also never been seen. Sources include, but are not limited to, filmmakers, US and international archives: and numerous broadcast affiliates: ABC NEWS VIDEOSOURCE, Associated Press, CBS Television Distribution, Center for Sacramento History / KCRA, Chicago Film Archives, Cine-Tamaris (Agnes Varda), Critical Past, Freedom Archives,Getty Images, Global Imageworks, INA Media, ITN Source, Mark Kitchell ,MAYSLES FILMS, Morley Markson, The National Archives and Records Administration, NBC News – NBC Universal Archives , Third World Newsreel, Richard Nixon Presidential Library and Museum, White House Communications Agency, Oddball Film+Video, Producers Library, Hoover Institution Archives, Sveriges TV (SVT – Swedish Television), T3 Media, UCLA Film & Television Archive, Washington University Film & TV Archive, ARTE France.
Set against the backdrop of Cambodia's Khmer Rouge reign of terror, "The Killing Fields of Dr. Haing S. Ngor" chronicles a powerful journey of love, loss and reconciliation. The years encapsulating this horrific chapter of Cambodian history are seen through the eyes of Dr. Ngor, who escaped to America and recreated his experiences in "The Killing Fields," winning an OscarÂ® for his first film. He became the de facto worldwide ambassador for truth and justice in his homeland, only to be gunned down in an alley in Chinatown Los Angeles - a case still surrounded by transnational conspiracy theories.
"The Killing Fields of Dr. Haing S. Ngor" employs an inspired blend of archival footage, original animation, and newly shot footage, anchored by an adaptation of Ngor's richly layered autobiography. Historical scenes of Cambodia, particularly of the Khmer Rouge, were created with footage identified at Bophana Center in Phnom Penh, which is dedicated to preserving the visual memory of Cambodia. To visualize Ngor's personal journey, 1980s VHS videotapes were rescued from his estate and digitally restored. Some of this footage came from television shows of the period, but these stations didn't keep copies and Ngor's archives provided the only records of his extraordinary life.