WINNERS OF THE 2016 FOCAL INTERNATIONAL AWARDS BELOW.
THE CALL FOR SUBMISSIONS TO THE 2017 FOCAL INTERNATIONAL AWARDS WILL BEGIN OCTOBER 2016 FOR PRODUCTIONS PREMIERED IN 2016.
Please read the Entry Guidelines first, then the Category details. When you have chosen an appropriate Category that you want to make a submission to, go to the Award Submission Form. On the submission form you select the chosen category and the correct form will appear. Please note that the forms do not retain your information so it is advisable to prepare and save your text in advance in case there is a problem! Also please have your purchase order number ready or your credit card ready. We can only take Mastercard or Visa and you should have it cleared for overseas transactions in advance. Good luck!!
Digitizing some of the world's largest and most prestigious broadcast and sporting archives, Visual Data have transformed thousands of hours of degrading tape and film into logical, searchable media archives.
Gain maximum benefit of your digital material through Visual Data's intelligent, online media asset management system designed for efficient processing and rapid delivery of your content.
Bitter Lake is an adventurous and epic film that explains why the big stories that politicians tell us have become so simplified that we can't really see the world any longer. Over the past thirty years forces rose up and undermined the confidence of politics to understand the world. The narrative goes all over the globe, but the country at the heart of it is Afghanistan. Because Afghanistan is the place that has confronted our politicians with the terrible truth - that they cannot understand what is going on any longer.
Bitter Lake is an experimental film, taking advantage of the Iplayer platform, unrestrained by the rigid boundaries of network television. Adam Curtis has tried to build a different and more emotional way of depicting what really happened in Afghanistan. A counterpoint to the thin, narrow and increasingly destructive stories told by those in power today. Key to this are the many sections using footage from thousands of hours of news rushes documented by Phil Goodwin at the BBC's Kabul bureau. This unused and unseen footage provides a wealth of complicated, fragmentary and emotional images which evoke the chaos of real experience.
Britain on Film is a major project from the BFI National Archive, Regional and National Archives and rights holders from across the UK that reveals new and unseen stories of our lives through the history of film. As part of a major programme of digitisation, which started in 2012 and continues until summer 2017, Britain on Film offers audiences ways to discover, explore and engage with the newly digitised films.
With over 5 million film views since the July launch, Britain on Film has shown that it is possible to reach huge UK-wide audiences with archive film content. The number of views have ranged widely across the range of newsreel, documentary, public information film, fiction, adverts demonstrating the public's extraordinary interest across the country for this previously unseen footage.
The Beatles No. 1 Music Video Restorations for Apple Corp were completed in 2015. The project involved extensive picture research by Apple Corp and picture restoration by Deluxe Restoration of 27 No.1 videos and a further 23 new unreleased videos. Audio re-mastering was completed by Abbey Road Studios to produce a new BluRay Deluxe Collection released for sale on November 5th 2015.
This restoration project involved every possible format of original source elements, from 35mm original colour negatives to 2 inch quad tapes, all from the period 1963-1970. The project required extensive research by Apple Corp to locate the originals and great versatility from the restoration team in meeting the restoration challenges of such varied content to deliver the highest possible quality HD masters for BluRay release